W.E.B. Du Bois Collection at BSU

When The Souls of Black Folk was first published in 1903, it had a galvanizing effect on the conversation about race in America - and it remains both a touchstone in the literature of African America and a beacon in the fight for civil rights. W. E. B. Du Bois combines history and stirring autobiography to reflect on the magnitude of American racism and to chart a path forward against oppression.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois'ssociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, andseveral works of history.Written in very accessible prose, these two booklets, originally published in 1930, allowed W. E. B. Du Bois to reach a wide audience with an interest in Africa. What is so incredible about the two Africa booklets is their lasting relevance and value to the study of Africa today. Coupling Du Bois'sbreadth of scholarship with his passion for the subjects, the analyses in these booklets are integral to the study of Africa. Many of his arguments foreshadowed the issues and debates regarding Africa in the twentieth century. Expertly synthesized in an introduction by Emmanuel Akyeampong, thisedition of the two Africa booklets is essential for anyone interested in African history.

Harlem in the 1920s and 1930s was the scene of a passionate outburst of creativity by African-American visual artists. Rich archival footage, including newsreels and photographs, recalls the influential force of the exhibitions, the vibrancy of Harlem and the many significiant personalities that shaped the movement, such as William E. Harmon, W.E.B. DuBois and Alain Locke.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Published posthumously in 1968, The Autobiography of W. E. B. Du Bois is his last and most complete autobiography. Covering his life over almost a century of living in America, it's the closest thing we have to a true autobiography of this important scholar and activist. The book, broken up into three parts, delves into the 90-year-old Du Bois's thoughts on everything from his relationship with sex to his storied association with the NAACP to his political persecution during the Cold War years to his many travels abroad. As Du Bois writes, he takes the reader on a journey to "view my life as frankly and fully as I can." With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Werner Sollors, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois'ssociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, andseveral works of history.In Black Folk Then and Now, W. E. B. Du Bois embarks on a mission to correct the omissions, misinterpretations, and deliberate lies he detected in previous depictions of black history. An exemplary revisionist exploration of history and sociology, this essay reflects Du Bois's lifelong mission tobring to light the truths of Black history and expose the African peoples' noble heritage.W. E. B. Du Bois writes extensively about the color line, which he believed at the time of publication to be the defining problem of the twentieth century. In 1946, following the Holocaust, Du Bois revised his arguments, reshaping them into the narrative we find in The World and Africa. With aseries introduction by editor Henry Louis Gates, Jr., and an introduction by Wilson Moses, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois'ssociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, andseveral works of history.Black Reconstruction in America tells and interprets the story of the twenty years of Reconstruction from the point of view of newly liberated African Americans. Though lambasted by critics at the time of its publication in 1935, Black Reconstruction has only grown in historical and literaryimportance. In the 1960s it joined the canon of the most influential revisionist historical works. Its greatest achievement is weaving a credible, lyrical historical narrative of the hostile and politically fraught years of 1860-1880 with a powerful critical analysis of the harmful effects ofdemocracy, including Jim Crow laws and other injustices. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by David Levering Lewis, this edition is essential for anyone interested in African American history.

Originally published under title: Black reconstruction. New York : Harcourt, Brace, c1935.

Scholar, author, editor, teacher, reformer, and civil rights leader, W.E.B. Du Bois (1868-1963) was a major figure in American life and one of the earliest proponents of equality for black Americans. He was a founder and leader of the Niagara Movement, the NAACP, and the Pan-African Movement; a progenitor of the 1920s Harlem Renaissance; an advocate of anticolonialism, anti-imperialism, unionism, and equality for women; and a champion of the rights of oppressed people around the world. The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review. Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. The Dark Princess is a story of magical love and radical politics, a romance facing obstacles in a white-dominated world. Du Bois's allegorical tale follows Mathew Townes from his political disillusionment to his association with a powerful and seductive revolutionary leader, Kautilya, the princess of the Tibetan Kingdom of Bwodpur. With Dark Princess, Du Bois explores the color line from a fantastical angle while inserting his signature sociological style. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Homi Bhahba, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Considered a sequel to Du Bois's wildly popular The Souls of Black Folks, Darkwater revisits many of the same themes with a more militant edge, even revising previously published essays and poems to include in this newer volume. Published in 1920, Darkwater focuses on the political climate following World War I. In ten carefully crafted chapters, Du Bois explores the important issues of that period- labor, capital, politics, gender, education, and international relations-in tandem with an overarching theme of race. Blending lyrical autobiography with political thoughts and even poetry, Du Bois makes a powerful, forceful argument regarding race and the color line. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Evelyn Brooks Higginbotham, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois'ssociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, andseveral works of history.Dusk of Dawn, published in 1940, is an explosive autobiography of the foremost African American scholar of his time. Du Bois writes movingly of his own life, using personal experience to elucidate the systemic problem of race. He reflects on his childhood, his education, and his intellectual life,including the formation of the NAACP. Though his views eventually got him expelled from the association, Du Bois continues to develop his thoughts on separate black economic and social institutions in Dusk of Dawn. Readers will find energetic essays within these pages, including insight into hisdeveloping Pan-African consciousness.With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Kwame Anthony Appiah, this edition is essential for anyone interested in African American history.

Undoubtedly the most influential black intellectual of the twentieth century and one of America's finest historians, W.E.B. DuBois knew that the liberation of the African American people required liberal education and not vocational training. He saw education as a process of teaching certain timeless values: moderation, an avoidance of luxury, a concern for courtesy, a capacity to endure, a nurturing love for beauty. At the same time, DuBois saw education as fundamentally subversive. This was as much a function of the well-established role of educationfrom Plato forwardas the realities of the social order under which he lived. He insistently calls for great energy and initiative; for African Americans controlling their own lives and for continued experimentation and innovation, while keeping education's fundamentally radical nature in view. Though containing speeches written nearly one-hundred years ago, and on a subject that has seen more stormy debate and demagoguery than almost any other in recent history, The Education of Black People approaches education with a timelessness and timeliness, at once rooted in classical thought that reflects a remarkably fresh and contemporary relevance.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Published in 1924 in response to growing racial tensions, W. E. B. Du Bois's The Gift of Black Folk explores the contributions African Americans have made to American society, detailing the importance of racial diversity to the United States. Writing for a general audience, Du Bois employs a sweeping scope for his argument, covering the European discovery of America to the twentieth century. In doing so he works to prove that through African Americans' struggle for freedom and equality, they have most fully realized the goal of democracy. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Glenda Carpio, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois'ssociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, andseveral works of history.One of the most neglected and obscure books by W. E. B. Du Bois, In Battle for Peace frankly documents Du Bois's experiences following his attempts to mobilize Americans against the emerging conflict between the United States and the Soviet Union. A victim of McCarthyism, Du Bois endured ahumiliating trial - he was later acquitted - and faced political persecution for over a decade. Part autobiography and part political statement, In Battle for Peace remains today a powerful analysis of race in America. With a series introduction by editor Henry Louis Gates, Jr., and an introductionby Manning Marable, this edition is essential for anyone interested in African American history.

A moving cultural biography of abolitionist martyr John Brown, by one of the most important African-American intellectuals of the twentieth century. In the history of slavery and its legacy, John Brown looms large as a hero whose deeds partly precipitated the Civil War. As Frederick Douglass wrote: "When John Brown stretched forth his arm ... the clash of arms was at hand." DuBois's biography brings Brown stirringly to life and is a neglected classic.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois'ssociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, andseveral works of history.Du Bois called his epic Black Flame trilogy a fiction of interpretation. It acts as a representative biography of African American history by following one man, Manuel Mansart, from his birth in 1876 until his death. The Black Flame attempts to use this historical fiction of interpretation to recastand revisit the African American experience. Readers will appreciate The Black Flame trilogy as a clear articulation of Du Bois's perspective at the end of his life.The second book in this profound trilogy, Mansart Builds a School, opens with Mansart's election to superintendent of Negro schools in Atlanta and follows him as he ascends to the position of president of Georgia State AandM College. The book provides a damning portrait of the state of education forAfrican Americans in the south. Building upon the drama and intrigue of The Ordeal of Mansart in Du Bois's signature lyrical style, Mansart Builds a School delves into the realities of the ordinary southern black experience of the early twentieth century. With a series introduction by editor HenryLouis Gates, Jr., and an introduction by Brent Hayes Edwards, this edition is essential for anyone interested in African American literature.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Intended as an accessible, up-to-date introduction to African American history by its 1915 publisher, The Negro was much more to W. E. B. Du Bois. The chance to write on African American History for a wide audience became his chance to write a manifesto on African history worldwide. Du Bois focuses on the continent of Africa, giving justice to its oft-neglected positive history. Drawing on anthropological and linguistic literature of the time, Du Bois captures a succinct portrait of African and African American history ready for any reader no matter their prior knowledge. His argument enters the narrative fully, revealing his quest for the vindication of black history. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by John K. Thornton, this edition is essential for anyone interested in African American history.

Reprint of the 1899 ed.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois'ssociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, andseveral works of history.Du Bois called his epic Black Flame trilogy a fiction of interpretation. It acts as a representative biography of African American history by following one man, Manuel Mansart, from his birth in 1876 until his death. The Black Flame attempts to use this historical fiction of interpretation to recastand revisit the African American experience. Readers will appreciate The Black Flame trilogy as a clear articulation of Du Bois's perspective at the end of his life.The first book in this profound trilogy, The Ordeal of Mansart, chronicles Mansart's early life during the time of Reconstruction through his involvement in black education in Atlanta. Written with lyrical, vivid prose and with accurate historical context, The Ordeal of Mansart offers readers a peekinto African American life and struggle through the lens of Mansart's humble life. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Brent Hayes Edwards, this edition is essential for anyone interested in African American literature.

The Oxford W.E.B. Du Bois Reader encompasses the whole of Du Bois's long and multifaceted writing career, from the 1890s through the early 1960s. The volume selects key essays and longer works that portray the range of Du Bois's thought on such subjects as African American culture, thepolitics and sociology of American race relations, art and music, black leadership, gender and women's rights, Pan-Africanism and anti-colonialism, and Communism in the U.S. and abroad.Chronologically, the volume stretches from definitive early essays such as "The Conservation of Races" to later works such as "Africa and World Peace" and "Gandhi and the American Negro." Du Bois's most famous book, The Souls of Black Folk (1903), and his landmark work on colonialism, Darkwater(1920), which contains many of his best-known shorter essays, such as "The African Roots of the War," "On Being Black," and "The Burden of Black Women," are both printed in their entirety. Key chapters drawn from full-length studies, including The Philadelphia Negro, The Gift of Black Folk, BlackReconstruction, Dusk of Dawn, The World and Africa, In Battle for Peace, and Du Bois's posthumous autobiography are supplemented by dozens of shorter essays covering topics in literature, education, African politics, urban studies, and American foreign policy. Individual essays and selections fromlonger works also illustrate Du Bois's skillful biographical studies of historical figures such as Toussaint L'Ouverture, Phillis Wheatley, Abraham Lincoln, and John Brown, as well as contemporaries like Booker T. Washington, Marcus Garvey, Kwame Nkrumah, Paul Robeson, and Joseph Stalin.Supplemented by an extensive critical introduction and headnotes to major works and topics, theOxford Reader offers the most extensive compilation of Du Bois's writings now available.

In 1897 a young sociologist who was already marked as a scholar of the highest promise submitted to the American Association of Political and Social Sciences a plan for the study of the Negro problem. The product of that plan was the first great empirical book on the Negro in American society. William Edward Burghardt DuBois (1868-1963), Ph.D. from Harvard (class of 1890), was given a temporary post as Assistant in Sociology at the University of Pennsylvania in order to conduct in-depth studies on the Negro community in Philadelphia. The provost of the university was interested and sympathetic, but DuBois knew early on that white interest and sympathy were far from enough. He knew that scholarship was itself a great weapon in the Negro's struggle for a decent life. The Philadelphia Negro was originally published by the University of Pennsylvania Press in 1899. One of the first works to combine the use of urban ethnography, social history, and descriptive statistics, it has become a classic work in the social science literature. Both the issues the book raises and the evolution of DuBois's own thinking about the problems of black integration into American society sound strikingly contemporary. Among the intriguing aspects of The Philadelphia Negro are what it says about the author, about race in urban America and about social science at the time, but even more important is the fact that many of DuBois's observations can be made - in fact are being made - by investigators today. In his introduction to this edition, Elijah Anderson traces DuBois's life before his move to Philadelphia. He then examines how the neighborhood studied by DuBois has changed over the years, and he comparesthestatus of blacks today with their status when the book was initially published.

In 1897 the promising young sociologist William Edward Burghardt Du Bois (1868-1963) was given a temporary post as Assistant in Sociology at the University of Pennsylvania in order to conduct a systematic investigation of social conditions in the seventh ward of Philadelphia. The product of those studies was the first great empirical book on the Negro in American society. More than one hundred years after its original publication by the University of Pennsylvania Press, The Philadelphia Negro remains a classic work. It is the first, and perhaps still the finest, example of engaged sociological scholarship--the kind of work that, in contemplating social reality, helps to change it. In his introduction, Elijah Anderson examines how the neighborhood studied by Du Bois has changed over the years and compares the status of blacks today with their status when the book was initially published.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois'ssociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, andseveral works of history.Arguably a contender for the Great American Novel, The Quest of the Silver Fleece is W. E. B. Du Bois's powerful first novel about Zora, a determined, strong Southern black woman who seeks to transcend race and social class in the late nineteenth century. Following the same path of the Greek mythafter which it was named, Du Bois's novel confronts not only economic and political circumstances, but also racial and social issues of the time. Over a century after its original publication, we return to The Quest again and again for its political boldness about sexual, gender, and economicinstitutions. Zora, a breakthrough in the portrayal of black women, stands as a model of courage in a volatile moment in history. The novel portrays not only a story of economics but also of love, gender, and race. With a series introduction by editor Henry Louis Gates, Jr., and an introduction byWilliam L. Andrews, this edition is essential for anyone interested in African American history.

When The Souls of Black Folk was first published in 1903, it had a galvanizing effect on the conversation about race in America - and it remains both a touchstone in the literature of African America and a beacon in the fight for civil rights. W. E. B. Du Bois combines history and stirring autobiography to reflect on the magnitude of American racism and to chart a path forward against oppression.

Originally published in 1903, The Souls of Black Folk is a classic study of race, culture, and education at the turn of the twentieth century. With its singular combination of essays, memoir, and fiction, this book vaulted Du Bois to the forefront of American political commentary and civil rights activism. It is an impassioned, at times searing account of the situation of African Americans in the United States, making a forceful case for the access of African Americans to higher education and extolling the achievements of black culture. Du Bois advances the provocative and influential argument that due to the inequalities and pressures of the race problem, African American identity is characterized by double consciousness. This edition includes a valuable appendix of other writings by Du Bois, which sheds light on his motivation and his goals.

Originally published in 1903, The Souls of Black Folk is a classic study of race, culture, and education at the turn of the twentieth century. With its singular combination of essays, memoir, and fiction, this book vaulted W. E. B. Du Bois to the forefront of American political commentary and civil rights activism. The Souls of Black Folk is an impassioned, at times searing account of the situation of African Americans in the United States. Du Bois makes a forceful case for the access of African Americans to higher education, memorably extols the achievements of black culture (above all the spirituals or 'sorrow songs'), and advances the provocative and influential argument that due to the inequalities and pressures of the 'race problem', African American identity is characterized by 'double consciousness'. Book jacket.

The souls of black folk / W.E.B. Du Bois -- Atlanta Exposition address / Booker T. Washington -- Booker T. and W.E.B. / Dudley Randall -- Address to the 4th International Convention of the Negro Peoples of the World / Marcus Garvey -- From Coming of age in Mississippi / Anne Moody -- From Warriors don’t cry / Melba Patillo Beals -- After dreaming of President Johnson / Howard Gordon -- Communication and reality / Malcolm X -- Address to the 1988 Democratic National Convention / Jesse Jackson -- From Sushi and Grits: ethnic identity and conflict in a newly multicultural America / Itabari Njeri.

In public domain. Charlottesville, Va : Generic NL Freebook Publisher. 1996

In public domain. Champaign, Ill : Project Gutenberg. 1996

In public domain. Charlottesville, Va : Generic NL Freebook Publisher. 1996

Well-documented classic examines the South's plantation economy and its influence on the slave trade, the role of Northern merchants in financing the slave trade during the 19th century, and much more.

Well-documented classic examines the South's plantation economy and its influence on the slave trade, the role of Northern merchants in financing the slave trade during the 19th century, and much more.

UP FROM SLAVERY The autobiography of Booker T Washington is a startling portrait ofone of the great Americans of the late nineteenth and early twentieth century. The illegitimate son of 'a white man and a Negro slave, Washington, a man who struggled for his education, would go on to struggle for the dignity of all his people in a hostile and alien society. THE SOULS OF BLACK FOLK W.E.B. DuBois's classic is a major sociological document and one of the momentous books in the mosaic of American literature. No other work has had greater influence on black thinking, and nowhere is the African-American's unique heritage and his kinship with all men so passionately described. THE AUTOBIOGRAPHY OF AN EX-COLORED MAN Originally published anonymously, James Weldon Johnson's penetrating work is a remarkable human account of the life of black Americans in the early twentieth century and a profound interpretation of his feelings towards the white man and towards members of his own race. No other book touches with such understanding and objectivity on the phenomenon once called "passing" in a white society. These three narratives, gathered together in Three Negro Classics chronicle the remarkable evolution of African-American consciousness on both a personal and social level. Profound, intelligent, and insightful, they are as relevant today as they have ever been. The Autobiography of Booker T. Washington is a startling portrait of one of the great Americans of the late nineteenth and early twentieth century. The illegitimate son of a white man and a Negro slave, Washington, a man who struggled for his education, would go on to struggle for the dignity of all his people in a hostile and alien society.W.E.B. DuBois's classic is a major sociological document and one of the momentous books in the mosaic of American literature. No other work has had greater influence on black thinking, and nowhere is the African-American's unique heritage and his kinship with all men so passionately described.Originally published anonymously, James Weldon Johnson's penetrating work is a remarkable human accout of the life of black Americans in the early twentieth century and a profound interpretation of his feelings towards the w3hite man and towards members of his own race. No other book touches with such understanding and objectivity on the phenomenon once called "passing" in a white society.These three narratives, gathered together in Three Negro Classics, chronicle the remarkable evolution of African-American consciousness on both a personal and social level. Profound, intelligent, and insightful, they are as relevant today as they have ever been.

The essential writings of Du Bois have been selected and edited by David Levering Lewis, his Pulitzer Prize-winning biographer.

Also available at: Reference | E185.97.D73 A25 1995

Historian, journalist, educator, and civil rights advocate W. E. B. Du Bois was perhaps most accomplished as a sociologist of race relations and of the black community in the United States. This volume collects his most important sociological writings from 1898 to 1910. The eighteen selections include five on Du Bois's conception of sociology and sociological research, especially as a tool in the struggle for racial justice; excerpts from studies of black communities in the South and the North, including The Philadelphia Negro; writings on black culture and social life, with a selection from The Negro American Family; and later works on race relations in the United States and elsewhere after World War II. This section includes a powerful fiftieth-anniversary reassessment of his classic 1901 article in the Atlantic in which he predicted that "the problem of the twentieth century is the problem of the color line." The editors provide an annotated bibliography, a lengthy overview of Du Bois's life and work, and detailed introductions to the selections. "The most significant contribution of this book is its inclusive look at Du Bois as both academic and activist. . . . Individuals interested in the study of social issues and political sociology would benefit from reading and discussing this book."--Paul Kriese, Sociology: Reviews of New Books "Green and Driver, informing this volume with a 48-page essay that summarizes Du Bois' career and places him in the context of the profession, have intelligently organized his writings. . . . A welcome contribution that should have wide use."--Elliott Rudwick, Contemporary Sociology

1. 1890-1919, with a tribute by M. L. King, Jr.--2. 1920-1963, with a tribute by K. Nkrumah.

2015 Reprint of 1947 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. "Can the freedom-loving modern world close its eyes and ears to the exploitation by foreigners of a continent three times the size of Europe and four times that of the United States, and to the centuries-old oppression of its widely scattered people?" This is the question which the author raises in this work. To document his declarations concerning the injustices which have been meted out to blacks by their white exploiters, Dubois recounts the entire history of the continent-the vast contributions of ancient and modern Africa to world culture, industry and development, contributions that have often been overlooked by mainstream historians.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois'ssociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, andseveral works of history.Collected in one volume for the first time, The World and Africa and Color and Democracy are two of W E. B. Du Bois's most powerful essays on race. He explores how to tell the story of those left out of recorded history, the evils of colonialism worldwide, and Africa's and African's contributionsto, and neglect from, world history. More than six decades after W. E. B. Du Bois wrote The World and Africa and Color and Democracy, they remain worthy guides for the twenty-first century. With a series introduction by editor Henry Louis Gates, Jr., and two introductions by top African scholars,this edition is essential for anyone interested in world history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois'ssociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, andseveral works of history.Du Bois called his epic Black Flame trilogy a fiction of interpretation. It acts as a representative biography of African American history by following one man, Manuel Mansart, from his birth in 1876 until his death. The Black Flame attempts to use this historical fiction of interpretation to recastand revisit the African American experience. Readers will appreciate The Black Flame trilogy as a clear articulation of Du Bois's perspective at the end of his life.The last book in this profound trilogy, Worlds of Color, opens when Mansart is sixty and a successful and established college president. Packed with political intrigue, romance, and social commentary, the book provides a dark, cynical view of the world and its relationship to the "Black Flame," orthe potential of black civilization. Building upon the drama of the previous two books, Worlds of Color delves into a more sinister, bleak, and doubtful future. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Brent Hayes Edwards, this edition is essential foranyone interested in African American literature.

William Edward Burghardt Du Bois was born in 1868 in Great Barrington, Massachusetts. A brilliant student and natural leader, he experienced little prejudice during his early years; it was while attending Fisk, a Southern university for Negroes, that the young Du Bois first fully awoke to the realities of race in America. His response was to make the cause of the black people his own. After graduation from Fisk, he earned his Ph.D. from Harvard, studied in Berlin, and become one of the great pioneer sociologists. In 1903, The Souls of Black Folk appeared. This prophetic masterpiece was but the beginning of a long, often lonely crusade that saw Du Bois forced into an increasingly radical position in his search for a solution to the American racial dilemma. His final years were marked by disillusionment with his native land, renunciation of his citizenship, and final self-exile in Ghana, where he died in 1963 at the age of ninety-five.